‘In Human Layers’ plays with layers of the artificial, from the display dolls to the reflections in the windows, the images capture the vacancy/availability of the mannequins, and their willingness to be impressed upon by both the allure of the window dressing and the realities of the outside world.

 The impact of the exterior on the interior informs the dolls ability to seduce and perform, and highlights the notion of the artificial informing the real and vice versa.